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Robert Wesley Wilson (July 15, 1937 – January 24, 2020) was an American artist and one of the leading designers of psychedelic posters. [1] Best known for designing posters for Bill Graham of The Fillmore in San Francisco, he invented a style that is now synonymous with the peace movement, the psychedelic era and the 1960s.
Etidorhpa is an unusual piece of nineteenth-century science fiction and occultism, but it is also an early account of the psychedelic experience, and Knapp's imaginative illustrations are among the first examples of Anglo-American psychedelic art. Etidorhpa was a popular and critical hit, printed in eighteen editions, and the illustrations ...
Warren Lloyd Dayton is an American illustrator, artist and graphic designer best known for his posters from psychedelic art era, a pioneer of the use of T-shirts as an art medium, creator of corporate branding & logos such as Thomas Kinkade’s Lightpost Publishing, and internationally award-winning book, editorial, commercial illustration and typography.
Life Magazine's cover and lead article for the September 1, 1967 issue at the height of the Summer of Love focused on the explosion of psychedelic art on posters and the artists as leaders in the hippie counterculture community. Psychedelic light-shows were a new art-form developed for rock concerts.
Alton Kelley (June 17, 1940 – June 1, 2008) was an American artist known for his psychedelic art, in particular his designs for 1960s rock concert posters and album covers. Along with artists Rick Griffin , Stanley Mouse , Victor Moscoso and Wes Wilson , Kelley founded the Berkeley Bonaparte distribution agency in order to produce and sell ...
CoSM will host a three-day art intensive titled "BODY & SOUL" at the compound's newly-renovated MAGI Art Lab on Nov. 8-10. Participate in live drawing sessions featuring a nude model, experience ...
Richard Alden "Rick" Griffin (June 18, 1944 – August 18, 1991) was an American artist and one of the leading designers of psychedelic posters in the 1960s. He was a key figure in the underground comix movement as a fouding member of the Zap Comix collective.
In 2002, Holland Cotter, New York Times art critic wrote, "Alex Grey's art, with its New Age symbolism and medical-illustration finesse, might be described as psychedelic realism, a kind of clinical approach to cosmic consciousness. In it, the human figure is rendered transparently with X-ray or CAT-scan eyes, the way Aldous Huxley saw a leaf ...
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