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The Rookie or The Rookie (Red Sox Locker Room) is a 1957 painting by American artist Norman Rockwell, painted for the March 2, 1957, cover of The Saturday Evening Post magazine. [ 1 ] The painting depicts several Boston Red Sox baseball players in a locker room, joined by an apparent new player who is dressed in street clothes and carrying a ...
Saying Grace is a 1951 painting by American illustrator Norman Rockwell, painted for the cover of The Saturday Evening Post 's November 24, 1951, Thanksgiving issue. [ 1 ] [ 2 ] [ 3 ] The painting depicts a woman and a young boy saying grace in a crowded restaurant, as they are observed by other people at their table. [ 3 ]
Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, [29] Mother's Day Off (published on May 20).
A Norman Rockwell Post cover illustration in January 1922. In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell, then an unknown 22-year-old New York City artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings.
Breaking Home Ties is a painting by American illustrator Norman Rockwell, created for the September 25, 1954, cover of The Saturday Evening Post.The picture represents a father and son waiting for a train that will take the young man to the state university.
Holly Christensen shares memories of her second oldest son's Thanksgiving birthday, and his enduring love for Norman Rockwell art.
The Dugout (Bottom of the Ninth) is a 1948 painting by American artist Norman Rockwell, painted for the September 4, 1948, cover of The Saturday Evening Post magazine. The painting depicts the Chicago Cubs bench dejected during a game against the Boston Braves at Braves Field.
Popular-art historian Christopher Finch found the painting to be a good example of Rockwell's matured style and compared the painting to a Henri Cartier-Bresson photo. [5] The painting has been in the permanent collection of the Memorial Art Gallery in Rochester, New York since 1974. [6]
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