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This gives the passage an unusual timing and when played slowly an unusual sound. However, this is less noticeable by ear when played fast, as legato usually is. There is a fine line between legato and two-hand finger tapping, in some cases making the two techniques harder to distinguish by ear. Generally, legato adds a more fluid, smooth sound ...
Even works that do not require a strictly constant tempo, such as musical passages with rubato, sometimes provide BPM markings to indicate the general tempo. Another mark that denotes tempo is M.M. (or MM), for Maelzel's Metronome. The notation M.M. is usually followed by a note value and a number that indicates the tempo, as in M.M. = 60.
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially doubling the tempo resolution or metric division/level in comparison to common-time. Thus, two measures of 4 4 approximate a single measure of 8 8, while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with alla breve or ...
Using the ACW feature requires the user to first synchronize the audio to the software; one way is manually adding bar lines by tapping a key on the downbeats as the song plays. This feature is being improved but is fraught with analysis errors if the original audio is not tuned to standard pitch or is not at a consistent tempo.
Tempo Video was the mainstream video label for Abbey Home Entertainment and continued to be used until 2000, when the label was discontinued by AHE's new owner, Just Group. The Tempo label was also used within Abbey-distributed audio cassettes, under labels including Tempo Audio, Tempo Twins, Tempo Reed and Tempo Children's Classics.
As the holidays approach, many people get curious about reindeer. Have you ever wondered how fast they can run? Well, they may not be able to pull a sleigh around the world in a single night, but ...
Tapping was occasionally employed by many 1950s and 1960s jazz guitarists such as Barney Kessel, who was an early supporter of Emmett Chapman. In August 1969, Chapman developed a new way of two-handed tapping with both hands held perpendicular to the neck from opposite sides, thus enabling equal counterpoint capabilities for each hand.
High-end commercial audio processing packages either combine the two techniques (for example by separating the signal into sinusoid and transient waveforms), or use other techniques based on the wavelet transform, or artificial neural network processing [citation needed], producing the highest-quality time stretching.