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The Transfiguration of Jesus is an event described in the New Testament where Jesus is transfigured and becomes radiant in glory upon a mountain. [1] [2] The Synoptic Gospels (Matthew 17:1–8, Mark 9:2–13, Luke 9:28–36) recount the occasion, and the Second Epistle of Peter also refers to it.
Matthew 17 is the seventeenth chapter in the Gospel of Matthew in the New Testament section of the Christian Bible. Jesus continues his final journey to Jerusalem ministering through Galilee. William Robertson Nicoll identifies "three impressive tableaux" in this chapter: the transfiguration, the epileptic boy and the temple tribute. [1]
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
This transformation is often metaphorical, symbolizing a shift in perception, identity, or understanding. Unlike religious transfiguration, which often involves a direct connection with the divine or supernatural, secular interpretations of transfiguration focus more on personal growth, artistic expression, or philosophical change.
Mount Hermon (2,814 metres or 9,232 feet high) was suggested by J. Lightfoot (1602–1675) and R. H. Fuller (1915–2007) [2] for two reasons: It is the highest site in the area [given that the Transfiguration took place on "a high mountain" (Matthew 17:1)], and it is located near Caesarea Philippi (Matthew 16:13), where the previous events reportedly took place.
In Eastern Orthodox Christian theology, the Tabor Light (Ancient Greek: Φῶς τοῦ Θαβώρ "Light of Tabor", or Ἄκτιστον Φῶς "Uncreated Light", Θεῖον Φῶς "Divine Light"; Russian: Фаворский свет "Taboric Light"; Georgian: თაბორის ნათება) is the light revealed on Mount Tabor at the Transfiguration of Jesus, identified with the ...
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Paintings of the Transfiguration of Jesus" The following 12 pages are in ...
Albrecht Dürer produced a total of three print cycles of the Passion of Christ: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in woodcut, [14] and one in engraving (16 scenes, 1507–1512). [15] These were distributed all over Europe, and often used as patterns by less ambitious painters.
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