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The lyrics of the song were written by Lear herself, who contributed words to every track on Sweet Revenge, and the music was composed by Anthony Monn, her long-time producer and collaborator. Musically, "Follow Me" showcased mainstream disco sound, which in the second half of the 1970s was at the peak of its popularity, however, with symphonic ...
"Follow Me" is the debut single of American musician Uncle Kracker. It was released on November 6, 2000, as the lead single from his debut studio album, Double Wide (2000). It was written by Kracker and Michael Bradford and was produced by Bradford and Kid Rock .
Follow Me (Bearfoot album) or the title song, 2006; Follow Me or the title song originally by Melanie C (see below), 2006; Follow Me (Isac Elliot album), 2014; Follow Me, by Kimiko Itoh, 1988; Follow Me, by Hepa/Titus, a band featuring Kevin Rutmanis, 2012
Writing hymns and Southern gospel songs Ira Forest Stanphill (February 14, 1914 – December 30, 1993) was a well-known American gospel music songwriter of the mid-twentieth century. Early years
"Follow Me" is a song by Dutch DJ Sam Feldt and British singer Rita Ora, released on 10 December 2021 via Palm Tree Records and Good Soldier Songs. The song was written by Ella Henderson, Ollie Green, Dominic Lyttle, Mike Needle, Rita Ora and Sam Feldt, and produced by Feldt and Lyttle. [2]
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
Lining out or hymn lining, called precenting the line in Scotland, is a form of a cappella hymn-singing or hymnody in which a leader, often called the clerk or precentor, gives each line of a hymn tune as it is to be sung, usually in a chanted form giving or suggesting the tune.
"Follow Me" is a song by English singer Melanie C. Written by Melanie C, Billy Steinberg and Bryan Adams, it was originally recorded by Melanie C and released as a bonus track on the Japanese edition of Northern Star. It also appeared as a B-side on the single for the song of the same name.
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