Search results
Results from the WOW.Com Content Network
The classic rock format evolved from AOR radio stations that were attempting to appeal to an older audience by including familiar songs of the past with current hits. [8] In 1980, AOR radio station M105 in Cleveland began billing itself as "Cleveland's Classic Rock", playing a mix of rock music from the mid-1960s to the present. [9]
Classic Rock was a 31-volume series issued by Time Life during the late 1980s and early 1990s. The series spotlighted popular music played on Top 40 radio stations of the mid-to-late-1960s. Much like Time-Life's other series chronicling popular music, volumes in the "Classic Rock" series covered a specific time period, including single years in ...
But in either form, Live At Leeds is a thunderous document of one of rock’s loudest bands at the peak of its powers, perfecting their ‘60s songbook at the dawn of the ‘70s. 1. The Allman ...
According to Christgau, the decade also saw greater fragmentation along stylistic lines because of the rise of semipopular music: "It goes back to whenever arty types began to find 'the best' rock worthy of attention in the '60s, but in the '60s tolerance was the rule; it was easier to name rough substyles—say British invasion, folk-rock ...
Southern rock currently plays on the radio in the United States, but mostly on oldies stations and classic rock stations. Although this class of music gets minor radio play, there is still a following for older bands like Lynyrd Skynyrd and the Allman Brothers play in venues with sizable crowds. [22]
Arguably the biggest rock band of the '70s, the Eagles' two albums from that era—"Their Greatest Hits (1971-1975)" and "Hotel California"—are among the bestselling records of all time.
Classic rock revival bands perform in a style influenced by the sounds of the popular rock sounds of the 1960s, 1970s and 1980s, including hard rock, psychedelic rock, blues rock, progressive rock and glam rock. Some revival bands aim emulate earlier sounds while other groups incorporate contemporary elements into their sound.
In 1977 and 1978, British band The Darts scored three top-10 singles on the UK charts with covers of early rock/doo-wop oldies. The popularity of the movement peaked with the release of the George Lucas film, American Graffiti, in 1973, with the soundtrack featuring rock and doo-wop hits from the late 1950s and early 1960s. By the mid-1970s ...