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Chinese society experienced many changes and revolutions, and Western clothing and styles gradually affected China's fashion industry. China began to be exposed to Western culture and fashion. During this period, some Chinese began to wear Western-style clothing, while traditional Hanfu gradually faded out of the mainstream.
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
For example, both male and female patrons appeared in Xianbei-style attire during the 5th century AD, this can be seen particular at the Yungang caves temples near Datong and in the earliest carvings at Longmen, whereas in the first third of the 6th century, the patrons tend to appear in Chinese-style clothing in the majority of Northern Wei ...
[6] [7] Chinese-style clothing and Chinese fashion was introduced in the Unified Silla period. [29] Some clay figures found in that period shows the high-waist line skirt worn over the jacket and appears to have shoulder straps attached to it. [6] The skirts worn over the jackets was a distinctive clothing style of the Tang dynasty's women. [29]
The aoqun and/or ruqun is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. [6]: 47–50, 54 Various forms and style of Chinese trousers, referred broadly under the generic term ku, can also be worn under the ruqun.
Street style is fashion that is considered to have emerged not from studios, but from the population at large. Street fashion is generally associated with youth culture, and is most often seen in major urban centers. Magazines and newspapers commonly feature candid photographs of individuals wearing urban, stylish clothing. [1] Mainstream ...
Chinese researcher Hua Mei (Chinese: 華梅), interviewed by student advocates of the Hanfu Movement in 2007, recognizes that defining hanfu is no simple matter, as there was no uniform style of Chinese fashion throughout the millennia of its history. Because of its constant evolution, she questions which period's style can rightly be regarded ...
Another well-known item of clothing for women in this era was the bulaji, a dress that was Soviet-inspired both in name and style. [21] The dual-purpose jacket was one of the most common and recognisable styles for Chinese women in the 1950s and 1960s, alongside the Lenin jacket, military-style clothing and work clothing. [22]
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