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"The Pardoner's Prologue and Tale", middle-english hypertext with glossary and side-by-side middle english and modern english; Modern Translation of the Pardoner's Tale and Other Resources at eChaucer; The Pardoner's Prologue and Tale e-text for reading, searching, and study Archived 7 May 2010 at the Wayback Machine – texts.crossref-it.info
Chaucer worked, in part, from a translation of the Consolation into French by Jean de Meun but is clear he also worked from a Latin version, correcting some of the liberties de Meun takes with the text. The Latin source was probably a corrupt version of Boethius' original, which explains some of Chaucer's own misinterpretations of the work.
The Pardoner's materialistic orientation, his suspicious relics and accusations of sinfulness (evident in his conflict with the Host) align him with Paul's account of the "outward Jew, circumcised only in the flesh", rather than the "inward" Jew of Romans 2.29 who is spiritually rather than literally circumcised: "the Pardoner, outwardly 'a ...
It is not clear whether these are sincere declarations of remorse on Chaucer's part or a continuation of the theme of penitence from The Parson's Tale.It is not even certain if the retraction was an integral part of the Canterbury Tales or if it was the equivalent of a death bed confession which became attached to this his most popular work.
As Dunbar belongs to the latest medieval phase, his work is quite far from that of Chaucer’s. Although Dunbar's The Tretis includes many ironic gestures that recall the Wife of Bath and The Merchant's Tale, he utilizes a much wilder humor than Chaucer. Dunbar is even credited with the first printed use of the word “fuck.”
Following a preliminary trial with The Pardoner’s Tale (1792), he had turned to re-editing George Ogle’s unfinished compilation of The Canterbury Tales of Chaucer modernised by several hands (1741) with twelve versions of his own. [6]
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A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...