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Grant Wood's boyhood home, in Cedar Rapids, Iowa, is listed as one of the most endangered historic sites in Iowa. [2]Wood was born in rural Iowa, 4 mi (6.43 km) east of Anamosa, on February 13, 1891, the son of Hattie DeEtte Weaver Wood and Francis Maryville Wood.
Critics have commented on the juxtaposition of these women and the mythic painting of George Washington portrayed in one of his wartime feats. Based on Tripp Evans' biography Grant Wood, A Life (2010), Henry Adams in his review says that Wood's painting Daughters of Revolution depicts not women but men: the Founding Fathers as cross-dressing figures, who stand in front of a recreation of ...
American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago.A character study of a man and a woman portrayed in front of a home, American Gothic is one of the most famous American paintings of the 20th century, and has been widely parodied in American popular culture.
The house as depicted by Wood in his 1930 painting American Gothic. During the summer of 1930, Edward Rowan, a young gallery director from Cedar Rapids, a large city approximately 80 miles (130 km) to the northeast of Eldon, attempted to promote fine arts in the rural town by opening a gallery and library and leading art classes in Eldon.
The colony was started by Edward Rowan, director of the Little Gallery in Cedar Rapids, Iowa, Adrian Dornbush, former director of the Flint Institute of Art and a Little Gallery art instructor, and famous local artist Grant Wood. Rowan was the primary facilitator of the creation of the colony.
Young Corn from the Grant Wood collection. The museum has significant collections from several prominent Iowa artists. The 63,000-square-foot (5,900 m 2) museum displays temporary exhibitions of contemporary art and hold the world's largest collection of works by Grant Wood, Marvin Cone, and Bertha Jaques, works by Mauricio Lasansky and the Riley Collection of ancient Roman portrait busts.
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