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This page was last edited on 13 November 2024, at 03:04 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids
International Mobile (1949), by Alexander Calder, Philadelphia Museum of Art. 3rd Sculpture International was a 1949 exhibition of contemporary sculpture held inside and outside the Philadelphia Museum of Art, in Philadelphia, Pennsylvania, USA. It featured works by 250 sculptors from around the world, and ran from May 15 to September 11, 1949.
The Olympic Sculpture Park, created and operated by the Seattle Art Museum (SAM), is a public park with modern and contemporary sculpture in downtown Seattle, Washington, United States. The park, which opened January 20, 2007, consists of a 9-acre (36,000 m 2 ) outdoor sculpture museum, an indoor pavilion, and a beach on Puget Sound . [ 1 ]
A CGI animation of the MoMA Snow Flurry. Year: 1948 Snow Flurry, I measures 238.7 cm × 208.8 cm and was gifted to the Museum of Modern Art (MoMA) by Calder in 1966. It was displayed at the Tate Modern in 2015, where curator Ann Coxon said that, based on the sculpture, "a sense of the natural world has also been important: [they were] looking at opening up some of the windows, getting a sense ...
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Alexander Calder, Red Mobile, 1956, Painted sheet metal and metal rods, a signature work – Montreal Museum of Fine Arts. Alexander Calder is an artist who many believe to have defined firmly and exactly the style of mobiles in kinetic art. Over years of studying his works, many critics allege that Calder was influenced by a wide variety of ...
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