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When [Bogart] finally does come before the camera, he seems uncommonly chastened and reserved, a state in which Mr. Bogart does not appear at his theatrical best. However, the mood of his performance is compensated somewhat by that of Miss Bacall, who generates quite a lot of pressure as a sharp-eyed, knows-what-she-wants girl.
The original Broadway production had actor Paul Newman in the Bogart role but he was passed over for the movie because Bogart was a much bigger star. The character of Glenn Griffin was made older in the script so Bogart could play the part. Bogart said he viewed the story as "Duke Mantee grown up."
Key Largo is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall.The supporting cast features Lionel Barrymore and Claire Trevor.
All Through the Night is a 1942 American comedy-crime-spy thriller film directed by Vincent Sherman and starring Humphrey Bogart, Conrad Veidt and Kaaren Verne, and featuring many of the Warner Bros. company of character actors.
The main title theme, The Caine Mutiny March, was included in RCA Victor's collection of classic Bogart film scores, recorded by Charles Gerhardt and the National Philharmonic Orchestra. [ 23 ] The lyrics of the song, "Yellowstain Blues", which mocked Queeg's perceived cowardice during the landing incident, were drawn from the source novel.
Bogart's portrayal of Roy Earle in High Sierra made him a star, and changed the way Warner Bros. saw him. [9] [10] Pard, the dog of Bogart's character, was erroneously believed by some to be canine actor Terry (Toto from The Wizard of Oz). It was in fact Bogart's own dog, Zero. In the final scene, Buster Wiles, a stunt performer, plays Roy's ...
Beat the Devil is a 1953 adventure comedy film directed by John Huston, starring Humphrey Bogart, Jennifer Jones, and Gina Lollobrigida, in her American debut, and featuring Robert Morley, Peter Lorre and Bernard Lee. [5]
Cancel My Reservation is a 1972 American comedy film starring Bob Hope and Eva Marie Saint, and directed by Paul Bogart. [1] The movie was Bob Hope's last of over 50 theatrical features as leading man, a screen run begun in 1938. It was also Eva Marie Saint's last film before she took a break from the big screen until 1986's Nothing in Common.
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