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"Afterglow of Your Love" is a song by the English rock group Small Faces. The song was originally simply titled "Afterglow" on the album on which it first appeared in May 1968, Ogdens' Nut Gone Flake. Without authorisation from the band, the song was released as a single in 1969 and reached no. 36 on the UK Singles Chart.
The group chose the name, "Small Faces", because of the members' small physical stature [15] and a "face" was somebody special; more than just a snappy dresser, he was someone in mod circles as a leader, someone to look up to. A face had the sharpest clothes, the best records and always was seen with the prettiest girl on his arm.
Ogdens' Nut Gone Flake is the third studio album, and only concept album by the English rock band Small Faces.Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for six weeks. [3]
Steve Marriott (1947–1991) was a successful and versatile English blue-eyed soul, singer-songwriter and guitarist.He is best remembered for his uniquely powerful voice and aggressive guitar [1] in groups Small Faces (1965–1969) and Humble Pie (1969–1975).
Playmates is the fourth studio album, and the first during their reunion, by English rock band the Small Faces.The album was created by Steve Marriott, Ian McLagan, Kenney Jones and Rick Wills when they reformed in the late 1970s and recorded it along with the album 78 in the Shade.
B: Small Faces (Decca) "Here Come the Nice" B-side: "Talk to You" 12 — — 24 — 28 — — A: There Are But Four Small Faces. B: Small Faces (Immediate) "Itchycoo Park" B-side: "I'm Only Dreaming" 3 2 1 17 16 3 4 — BPI: Silver [11] A: There Are But Four Small Faces. B: There Are But Four Small Faces "Tin Soldier" B-side: "I Feel Much ...
Afterglow of Your Love; All or Nothing (Small Faces song) G. Get Yourself Together; Green Circles; H. Here Come the Nice; Hey Girl (Small Faces song) Hot 'n' Nasty; I.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden.