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Bloody Mary as portrayed by Juanita Hall, who originated the role in South Pacific (1949) Bloody Mary is a character in the 1946 book Tales of the South Pacific by James Michener, which was made into the 1949 musical South Pacific by Rodgers and Hammerstein, and later into a film in 1958. The Bloody Mary character is Vietnamese . Tonkin is the ...
Juanita Hall (née Long, November 6, 1901 – February 29, 1968) [1] was an American musical theatre and film actress. She is remembered for her roles in the original stage and screen versions of the Rodgers and Hammerstein musicals South Pacific as Bloody Mary – a role that garnered her the Tony Award – and Flower Drum Song as Madame Liang.
Tonkinese may refer to: The language or people of Tonkin; The Tonkinese cat breed This page was last edited on 30 December 2019, at 16:42 (UTC). ...
South Pacific is a musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan.The work premiered in 1949 on Broadway and was an immediate hit, running for 1,925 performances.
Tonkin, also spelled Tongkin, Tonquin or Tongking, is an exonym referring to the northern region of Vietnam.During the 17th and 18th centuries, this term referred to the domain Đàng Ngoài under Trịnh lords' control, including both the Northern and Thanh-Nghệ regions, north of the Gianh River.
Tales of the South Pacific is a Pulitzer Prize-winning collection of sequentially related short stories by James A. Michener about the Pacific campaign in World War II. The stories are based on observations and anecdotes he collected while stationed as a lieutenant commander in the US Navy at the Espiritu Santo Naval Base on the island of Espiritu Santo in the New Hebrides Islands (now known ...
Ambae, also known as Aoba, Omba, Oba, or Opa and formerly Lepers’ Island, is an island in the South Pacific island nation of Vanuatu, located near , approximately 310 kilometres (165 nautical miles) north-northwest of Vanuatu's capital city, Port Vila. It is also Vanuatu's largest active volcano.
Any description of Tongan culture that limits itself to what Tongans see as anga fakatonga would give a seriously distorted view of what people actually do, in Tonga, or in diaspora, because accommodations are so often made to anga fakapālangi. The following account tries to give both the idealized and the on-the-ground versions of Tongan culture