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It should only contain pages that are Benny Goodman songs or lists of Benny Goodman songs, as well as subcategories containing those things (themselves set categories). Topics about Benny Goodman songs in general should be placed in relevant topic categories .
One of the earliest records of Benny Goodman music issued on the new long-playing format, the concert recording was also sold in a set of nine 45 rpm records in 1950 by Columbia. The subsequent discovery of the aluminum studio masters made from the original recording resulted in several high-quality CD reissues beginning in 1998.
The Complete RCA Victor Small Group Recordings is a 1997 compilation 3-CD set of sessions led by jazz clarinetist Benny Goodman, and recorded for the RCA Victor label between 1935 and 1939. Reception [ edit ]
The idea of recording the concert came from Albert Marx, a friend of Goodman's, for the purposes of a gift for his wife Helen Ward, as well as gifting a second set to Goodman. Sometime in or before 1950, Goodman recovered the acetates from his sister-in-law's closet, who had informed him about them, and took them to the audio engineer William ...
It should only contain pages that are Benny Goodman albums or lists of Benny Goodman albums, as well as subcategories containing those things (themselves set categories). Topics about Benny Goodman albums in general should be placed in relevant topic categories .
The Benny Goodman Treasure Chest is a jazz album by Benny Goodman, released in 1959. [1] This three-LP Record Box Set was released by MGM Records These are Performance Recordings 1937–1938 by the original orchestra, trio, and quartet featuring Benny Goodman (clarinet) with Harry James/Ziggy Elman/Chris Griffin (trumpet), Murray McEachern/Red Ballard/Vernon Brown (trombone), Lionel Hampton ...
Brunswick Records released it on February 28, 1936 [2] on the 78 rpm record format, with "It's Been So Long" as the B-side. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman. [1]
Louis Armstrong made the first jazz recording of the song in 1931. The same year it was recorded by Gene Austin, Ethel Waters and Benny Goodman, and Austin's rendition was the first to hit the charts. Frank Sinatra included the song on his 1955 album In the Wee Small Hours.