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Orphic Hymn 71 is addressed to Melinoe, and describes her as follows (in the translation by Apostolos Athanassakis and Benjamin M. Wolkow): I call upon Melinoë, saffron-cloaked nymph of the earth, whom revered Persephone bore by the mouth of the Kokytos river upon the sacred bed of Kronian Zeus.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [31]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [32] which sits above the proem in the surviving manuscripts of the collection; [33] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
Melinno (Ancient Greek: Μελιννῶ) was a Greek lyric poet.She is known from a single surviving poem, [1] known as the "Ode to Rome". The poem survives in a quotation by the fifth century AD author Stobaeus, who included it in a compilation of poems on manliness. [2]
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
The official portrait of former French president François Mitterrand pictured him facing the camera, holding an open copy of the Essays in his hands. [12] English journalist and politician J. M. Robertson argued that Montaigne's essays had a profound influence on the plays of William Shakespeare, citing their similarities in language, themes ...
In the play Children of Heracles by Euripides, Macaria, [a] along with her siblings, Alcmene and Iolaus flees from King Eurystheus, who is determined the kill all the children of Heracles, to Athens where they find shelter in the court of King Demophon, who refused to hand them over when Eurystheus gave him an ultimatum of war upon Athens unless he surrendered the Heraclidae. [3]
The essay offers a profound look at the poem and its role in society. In a paragraph mid-essay, Emerson observes: For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, or a verse, and substitute something ...
Psalm 86 is the 86th psalm of the Book of Psalms, beginning in English in the King James Version: "Bow down thine ear, O Lord, hear me: for I am poor and needy".In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 85.