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Classics also includes Greco-Roman philosophy, history, archaeology, anthropology, art, mythology and society as secondary subjects. In Western civilization, the study of the Greek and Roman classics was traditionally considered to be the foundation of the humanities and has traditionally been the cornerstone of a typical elite European education.
The genesis of modern understanding of Greek mythology is regarded by some scholars as a double reaction at the end of the 18th century against "the traditional attitude of Christian animosity mixed with disdain, which had prevailed for centuries", in which the Christian reinterpretation of myth as a "lie" or fable had been retained. [1]
A coin featuring the profile of Hera on one face and Zeus on the other, c. 210 AC. Roman conquerors of the Hellenic East allowed the incorporation of existing Greek mythological figures such as Zeus into their coinage in places like Phrygia, in order to "augment the fame" of the locality, while "creating a stronger civil identity" without "advertising" the imposition of Roman culture.
Thus, Greek mythology unfolds as a phase in the development of the world and of humans. [19]: 11 While self-contradictions in these stories make an absolute timeline impossible, an approximate chronology may be discerned. The resulting mythological "history of the world" may be divided into three or four broader periods:
In the fields of philosophy and mythography, euhemerism (/ j uː ˈ h iː m ər ɪ z əm,-h ɛ m-/) is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages.
Myths and legends of Babylonia and Assyria (1916) Edith Hamilton's Mythology has been a major channel for English speakers to learn classical Greek and Roman mythology. The critical interpretation of myth began with the Presocratics. [93] Euhemerus was one of the most important pre-modern mythologists. He interpreted myths as accounts of actual ...
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The myths, however, continued to provide an important source of raw material for dramatists, including those who wrote the libretti for Handel's operas Admeto and Semele, Mozart's Idomeneo, and Gluck's Iphigénie en Aulide. [3] By the end of the century, Romanticism initiated a surge of enthusiasm for all things Greek, including Greek mythology.