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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
Buttered cat paradox: Humorous example of a paradox from contradicting proverbs. Intentionally blank page: Many documents contain pages on which the text "This page intentionally left blank" is printed, thereby making the page not blank. Metabasis paradox: Conflicting definitions of what is the best kind of tragedy in Aristotle's Poetics.
One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false". [16] Another example occurs in the barber paradox, which poses the question of whether a barber who shaves all and only those who do not shave themselves will shave himself. In this paradox, the barber is a self ...
Vettori did not try to solve the problem but was first to publish about it, in his Latin commentary on the Poetics in 1560. [37] André Dacier wrote more than a century later, as though unaware of Castelvetro's remarks on the problem, "The wise Victorius [Vettori] is the only one who has seen it; but since he did not know what was the concern in the Chapter, and that it is only by this that it ...
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The meaning of the poem is embodied in its sensual aspects of the arrangement, sound, and rhythm of the words, which are not translateable (an argument also made by Benedetto Croce). He compared a poem to a drama, which draws meaning from how it enacts ambiguity, irony, and paradox. [2] [3]
Zeno's arguments may then be early examples of a method of proof called reductio ad absurdum, also known as proof by contradiction. Thus Plato has Zeno say the purpose of the paradoxes "is to show that their hypothesis that existences are many, if properly followed up, leads to still more absurd results than the hypothesis that they are one."