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In her early work Ruysch painted a large number of forest floor pictures that feature small animals, reptiles, butterflies, and fungi. She later adopted flower painting as her main concern and continued to paint until her death, thus continuing the 17th-century style right down to the middle of the following century. [11]
It is a quod-libet composition of a traditional kind in which a collection of letters, drawings and cutlery is scattered over a board wall. [7] The painting can be regarded as an intellectual self‐portrait, as it shows letters addressed to the artist together with implements from the artist's trade such as a quill pen, a print, a burin etc ...
Skull and crossbones; Skull art; Skull mexican make-up; Skull of a Skeleton with Burning Cigarette; Sleeping Venus (Delvaux) St. Francis in Ecstasy (Zurbarán) Still Life: An Allegory of the Vanities of Human Life; Sueño de una Tarde Dominical en la Alameda Central
Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
Much memento mori art is associated with the Mexican festival Day of the Dead, including skull-shaped candies and bread loaves adorned with bread "bones". This theme was also famously expressed in the works of the Mexican engraver José Guadalupe Posada, in which people from various walks of life are depicted as skeletons.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...
The serpent in the skull is always making its way through the socket that was the eye: knowledge persists beyond death, the emblem says, and the serpent has the secret. The late medieval and Early Renaissance Northern and Italian painters place the skull where it lies at the foot of the Cross at Golgotha (Aramaic for the place of the skull).
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