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The Jesuits' impact was so profound during their missions of the time that today very similar styles of art from the Counter-Reformation period in Catholic Churches are found all over the world. Despite the differences in approaches to religious art, stylistic developments passed about as quickly across religious divisions as within the two ...
Painted for the Arquebusiers' guild, the Descent from the Cross triptych (1611–14; Cathedral of Our Lady, Antwerp)—with side wings depicting the Visitation and Presentation in the Temple, and exterior panels showing St. Christopher and the Hermit—is an important reflection of Counter-Reformation ideas about art combined with Baroque ...
The Refashioning of Catholicism, 1450–1700: A Reassessment of the Counter Reformation (1999) excerpt and text search; Walsh, M., ed. (1991). Butler's Lives of the Saints. New York: HarperSanFrancisco. Dickens, A. G. The Counter Reformation (1979) expresses the older view that it was a movement of reactionary conservatism. Harline, Craig.
Two decades after the fresco was completed, the final session of the Council of Trent in 1563 finally enacted a form of words that reflected the Counter-Reformation attitudes to art that had been growing in strength in the Church for some decades. The council's decree (drafted at the last minute and generally very short and inexplicit) reads in ...
The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, [1] [2] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity. [3]
Their art, however, also incorporated ideas central the Counter-Reformation; these included intense emotion and religious imagery that appealed more to the heart than to the intellect. [115] Another influential painter of the Baroque era was Michelangelo Merisi da Caravaggio. His realistic approach to the human figure, painted directly from ...
Il Gesù was the first of many Counter-Reformation churches built in Rome; serving as the mother church of the new Jesuit order. Designed by Giacomo Barozzi da Vignola, the church of Il Gesù soon became the prototype for the Baroque churches that the Jesuit order built or rebuilt during the Counter-Reformation era. [4]
His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.