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During the Reformation a great divergence arose between the Catholic Church and the Protestant Reformers of the north regarding the content and style of art work. The Catholic Church viewed Protestantism and Reformed iconoclasm as a threat to the church and in response came together at the Council of Trent to institute some of their own reforms ...
The Counter-Reformation (Latin: Contrareformatio), also sometimes called the Catholic Revival, [1] was the period of Catholic resurgence that was initiated in response to, and as an alternative to, the Protestant Reformations at the time.
Catholic–Protestant theological dissent was birthed in 1517 with the posting of Martin Luther's Ninety-five Theses which outline ninety-five objections against Catholic doctrine. These included distinction between clergy and laity , the Catholic Church's monopoly on scriptural interpretation , the sale of indulgences , the nature of salvation ...
Faced with the Protestant challenge to imagery, then far more virulent than it usually is in the 21st century, the Catholic Counter-Reformation (c. 1545 – c. 1648) reacted by quietly removing some types of medieval imagery that could not be justified theologically, but otherwise by strengthening its commitment to the use of art and images to ...
Catholic art is art produced by or for members of the Catholic Church. This includes visual art (iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as well. Expressions of art may or may not attempt to illustrate, supplement and portray in tangible form ...
In Catholic countries, production of religious art continued, and increased during the Counter-Reformation, but Catholic art was brought under much tighter control by the church hierarchy than had been the case before. From the 18th century the number of religious works produced by leading artists declined sharply, though important commissions ...
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
Catholicism interprets the commandment not to make "any graven image, or any likeness of any thing that is in heaven above" to mean to not "bow down and worship" the image in and of itself nor a false god through the image. Catholic theology offers the following explanations of liturgical practice that features images, icons, statues, and the like:
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