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The Protestant Reformation during the 16th century in Europe almost entirely rejected the existing tradition of Catholic art, and very often destroyed as much of it as it could reach. A new artistic tradition developed, producing far smaller quantities of art that followed Protestant agendas and diverged drastically from the southern European ...
Lutheran art consists of all religious art produced for Lutherans and the Lutheran churches.This includes sculpture, painting, and architecture. Artwork in the Lutheran churches arose as a distinct marker of the faith during the Reformation era and attempted to illustrate, supplement and portray in tangible form the teachings of Lutheran theology.
The distribution of woodcuts was one of the most effective modes of propaganda during the Protestant Reformation. Christ and the Sheep Shed depicts the radical sentiment of the period in which it was created, and portrays the wide-ranging effects of the Reformation and religion on all aspects of German culture. The image is unrealistic as an ...
During these spates of iconoclasm, Catholic art and many forms of church fittings and decoration were destroyed in unofficial or mob actions by Calvinist Protestant crowds as part of the Protestant Reformation. [2] [3] Most of the destruction was of art in churches and public places. [4] Protestant polemical print celebrating the destruction, 1566
A later (1536) version by Cranach and his son. Oil, gold and paper on panel, transferred on panel. The left and right "wings" of the paintings illustrate the Protestant concept of Law and Gospel, which emphasizes salvation through the forgiveness of sins in light of the person and work of Jesus Christ.
The Reformation, also known as the Protestant Reformation and the European Reformation, [1] was a major theological movement or period or series of events in Western Christianity in 16th-century Northwestern Europe that posed a religious and political challenge to the papacy and the authority of the Catholic Church.
Protestant religious art, mainly in the form of illustrations of biblical events, continued in printmaking and in book illustrations, for example in the etchings of Rembrandt (1606–1669), who also painted biblical subjects. In the early stages of the Reformation, Protestant propagandists made vigorous use of images satirizing their opponents.
The Four Apostles was created during the Reformation, begun in 1517 and having the largest initial impact on Germany, the work was completed in 1526. During this time, Dürer had himself left the Catholic church and transitioned to Protestantism. [ 5 ]