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Sri Chand, a celibate since childhood, made a centre [attributed to] Baba Nanak. Dharam Chand, son of Lakhmi Das, made a show of himself. Dasu installed [himself] on the seat of authority and Datu learned to sit in the siddh posture. Mohan went mad, and Mohari was celebrated. Prithi Chand, the rascal, with his hidden agenda, spread madness.
The film opens with the birth of Baba (Rajinikanth), who is the reincarnation of a saint that was a devotee of Mahavatar Babaji. Baba grows up as an atheist and hot-blooded man, but becomes a good samaritan with his thoughts and actions. His lifestyle includes consuming alcohol, smoking beedi, and chewing tobacco.
Sri Chand Darbar or Baba Sri Chandar Temple is a 500 year old religious shrine dedicated to the Sri Chand, founder of Udasi sect and elder son of Guru Nanak. It is located in Faqir Jo Goth near Thatta city [ 1 ]
Lakhmi Das (12 February 1497 – 9 April 1555 [note 1]), also known as Lakhmi Chand, was the younger son of Guru Nanak and Mata Sulakhni and founder of the Jagiasi sect of Sikhism. [ 2 ] Biography
The Tamil-language film industry has produced and released over 10000 films since the release of its first sound film, kalidas, in 1931.This is a master list of listings of films released from 1931 in the industry by decade of release.
Sir is an Indian Tamil-language action drama film written and directed by Bose Venkat. [2] The film stars Vimal and Chaya Devi in the lead roles. [3] The film is produced by S Siraj and Nilofer Siraj under SSS Pictures banner and presented by Vetrimaaran under his Grass Root Film Company banner. [4]
The film ran for 175 days in 12 centers, was screened at the International Film Festival of India and the Moscow Film Festival. [2] The soundtrack was composed by Ilaiyaraaja, with lyrics written by Acharya Aatreya, and received wide appreciation. The film was dubbed into Hindi as Shirdi Sai Baba Ki Kahani and into Tamil as Sri Shirdi Saibaba. [2]
It’s like they had gone and shot a few more scenes for the earlier film!". [6] BizHat wrote "The `rowdy` genre, which seems to be hot among film makers and actors now is once again tested here by director Pushpagavasan. However, he seems to have been influenced by films of the same genre like the Mohanlal classic Kireedam and the recent Tamizh.