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Nkisi Nkondi, Congo, c. 1880-1920. Nkisi Nkondi, from the collection of the Brooklyn Museum. The primary function of a nkondi is to be the home of a spirit which can travel out from its base, hunt down and harm other people. Many nkondi were publicly held and were used to affirm oaths, or to protect villages and other locations from witches or ...
Nkisi or Nkishi (plural varies: minkisi, mikisi, zinkisi, or nkisi) are spirits or an object that a spirit inhabits. It is frequently applied to a variety of objects used throughout the Congo Basin in Central Africa , especially in the Territory of Cabinda that are believed to contain spiritual powers or spirits.
S/he then kills a chicken, which causes the death of a hunter who has been successful in killing game and whose captive soul subsequently animates the nkondi figure. [6] Based on this process, Gell writes that the nkondi is a figure an index of cumulative agency, a "visible knot tying together an invisible skein of spatio-temporal relations" of ...
In the 17th century, the Bakongo people expanded the concept of nkisi to include consecrated objects or charms that contained the essence of nature spirits and their spiritual powers. These minkisi (sing. nkisi) were used for protection and healing. [1] Minkisi were also used to make mojo, or conjure, bags. These mojo bags were essentially ...
Nkisi nkondi of the Bakongo.They are a subclass of nkisi, objects believed to be inhabited by spirits, common across the Congo Basin. The beliefs and practices of African people are highly diverse, and include various ethnic religions.
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Power figure (nkisi nkondi) from Lower Congo is made to hunt witches [20] African witchcraft beliefs are incredibly diverse, reflecting the continent's rich tapestry of cultures and belief systems. These encompass a wide range of practices, from healing and divination to the worship of ancestral spirits and deities.
Nkisi were mainly destroyed by missionaries when the area was colonized. However, artistic traditions relating to them are present in contemporary art in the Democratic Republic of Congo. For instance, the idea of physical manifestations that alter one’s relationship with the world is a spiritual element possessed in contemporary Congo art.