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The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature , the classical Tamil literature of the early common era , were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu .
The Important Modes of Tamil Music are grouped as Seven Great Modes (Ezh Perum Paalai). From them, 2 Modes are removed and remaining 5 are employed in Tolkappiam, there they are mentioned as Yaazh instead of Paalai or Pann which is meant to denote Musical Scale or Raaga. Also the 5 Small Modes of Tamil are derived from those 5 Great Modes.
Thiruvasagam (Tamil: திருவாசகம், romanized: tiruvācakam, lit. 'sacred sayings') is a volume of Tamil hymns composed by the ninth century Shaivite bhakti poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta.
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
After the Sangam period and during the occupation of the Tamil country by Kalabhras, Tamil music was dormant for a period of a few centuries. With the advent of the Saivite saints Manikkavacakar (100 AD), Sundarar (900 AD), Thirunavukkarasar and Thirugnana Sambanthar (7th century CE) who used the ancient panns in their hymns ( Tevaram ), Tamil ...
Kanda Sashti Kavasam or Skanda Shashti Kavacham (Tamil: கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal (born c. 1820), [1] a student of Meenakshi Sundaram Pillai, on Murugan, the son of Shiva, in Chennimalai near Erode. It was composed in the 19th century.
Kavimani Desigavinayagam Pillai (27 July 1876 – 26 September 1954) was a renowned Tamil poet from the village of Theroor in the Kanyakumari district of Tamil Nadu, India. His works encompass a wide range of genres including devotional songs, literary and historical poetry, children's songs, nature poems, social themes, and nationalistic verses.
The majority of the songs are sung to Murugan, but there are also a few songs that sing of deeds of Shiva or the avatars of Vishnu, and of the power of Parvati. Almost all songs end addressing Murugan as Perumal, a term that traditionally had strong associations with Tamil Vaishnavism. However the literal meaning in Tamil of the word Perumal is ...