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In the mid 1930s, Wurlitzer unveiled a line of symmetrical grand pianos, or "Butterfly" grands. At this point in Wurlitzer history, all piano manufacturing was exclusively in DeKalb, Illinois. Models ranged from the Student Butterfly having 44 keys, to the 88 key Deluxe Art Deco Streamline Model 1411. Model 1411 had many innovative patented ...
Carew Tower is a 49-story, 574-foot (175 m) Art Deco building completed in 1931 [8] in the heart of downtown Cincinnati, Ohio, United States, overlooking the Ohio River waterfront. The structure is the second-tallest building in the city , and it was added to the register of National Historic Landmarks on April 19, 1994.
At the north end of Woodlawn, entering Glendale, Ohio, there is a fork in the road. Ohio State Route 4 and Springfield Pike veer off to the left towards downtown Springdale, Ohio, while Ohio State Route 747 continues straight north as Congress Avenue through Glendale, and later as Princeton Pike into Springdale near the former Tri-County Mall.
On the night of Aug. 14, 2011 — less than 24 hours after Katelyn Markham had last been seen in the Cincinnati suburb where she lived — Carter dialed 911 and reported her missing.
The Maisonette was opened by Nathan L. Comisar in 1949 in the basement space beneath La Normandie, also owned by Comisar, in the Fountain Square Building in Cincinnati. [1] [3] Comisar named the restaurant after a club by the same name in the St. Regis Hotel in New York City. [4] In 1964 it was awarded its first Mobil 5-star award. [3]
Ohio’s Hospice will hold its Celebrating Life’s Stories Butterfly Release on Sunday, June 2.
A Minnesota couple has reportedly been sentenced to four years after they locked their children in cages for "their safety." The couple was arrested and charged with 16 counts in June 2023. They ...
In 1967 The Brass Butterfly was filmed for the Australian TV series Love and War. [9] Its first American production was in 1970 at the Chelsea Theater Center, starring Paxton Whitehead as the Emperor and Sam Waterston as Phanocles. Reviewing that production, critic Clive Barnes of The New York Times called the play "sub-Shavian and aimless".