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The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
Warfare depicted in Greek art was often not representative of actual ancient warfare, but rather depictions of epic and mythological scenes. [2] [3] This depiction style became common in the 6th century, possibly reflecting the political and social turmoil Greece was beginning to experience, and the desire to triumph over barbarians. [3]
The Pace Egg plays are an Easter custom in rural Northern England in the tradition of the medieval mystery plays. The practice was once common throughout Northern England, but largely died out in the nineteenth century before being revived in some areas of Lancashire and West Yorkshire in the twentieth century.
Ukrainian pysanka Easter egg sculptures resembling pisanica in front of the Zagreb Cathedral, Croatia. Egg decorating is the art or craft of decorating eggs.It has been a popular art form throughout history because of the attractive, smooth, oval shape of the egg, and the ancient associations with eggs as a religious and cultural symbol.
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
One of the most important forms of Byzantine art was, and still is, the Cretan school as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first signiand the National ...
The gigantomachy by the Suessula Painter is a painting on a red-figure amphora from the Classical period of Greece. It is the work of the Suessula Painter, an Athenian vase-painter whose name is unknown. He worked in both Corinth and Athens and is recognizable by his style, with great freedom of posture and a unique shading of figures.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.