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Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred ...
Costume for a Knight, by Inigo Jones: the plumed helmet, the "heroic torso" in armour and other conventions were still employed for opera seria in the 18th century.. The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the ...
Elephant mask and dancer traditional to Oku, Cameroon [12] Animals are common subjects in African masks. Animal masks typically embody the spirit of animals, so that the mask-wearer becomes a medium to speak to animals themselves (e.g. to ask wild beasts to stay away from the village); in many cases, nevertheless, an animal is also (sometimes ...
Ijele is the largest mask system ever to enter the history of the world masking tradition. It comprises two segments: the upper and the lower segments, divided at the centre by a big python. The upper segment is called Mkpu Ijele while the lower segment is called Akpakwuru Ijele or Ogbanibe and the centre is called Eke - Ogba (Python).
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Some masque costume for the ladies of the court in red and white taffeta was prepared by the queen's tailor, Jacques de Soulis. [ 40 ] The tailor Jehan de Compiegne made costumes from orange "changing" or shot taffeta for a masque in February 1564 at Holyrood, with a smaller costume in the same fabric for a young girl at court.
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