Search results
Results from the WOW.Com Content Network
Bergman: A Year in a Life, Swedish: Bergman - ett år, ett liv, is a 2018 Swedish-Norwegian documentary film directed by Jane Magnusson.Journeying through 1957, the year Ingmar Bergman released two of his most acclaimed features (The Seventh Seal and Wild Strawberries), made a TV film (Mr. Sleeman Is Coming) and directed four plays for theatre (The Misanthrope, Counterfeiters, The Prisoner ...
Ernst Ingmar Bergman [a] (14 July 1918 – 30 July 2007) was a Swedish film and theatre director and screenwriter. Widely considered one of the greatest and most influential film directors of all time, [1] [2] [3] his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". [4]
Scenes from a Marriage (Swedish: Scener ur ett äktenskap) is a 1973 Swedish television miniseries written and directed by Ingmar Bergman.Over the course of six hour-long episodes, it explores the disintegration of the marriage between Marianne (Liv Ullmann), a divorce lawyer, and Johan (Erland Josephson), a reader in psychology.
Ingmar Bergman Makes a Movie (Swedish: Ingmar Bergman gör en film) is a 1963 Swedish documentary film directed by Vilgot Sjöman which depicts the making of Ingmar Bergman's film Winter Light from screenwriting to the film's premiere and critical reaction. The film originally aired in five half-hour episodes on Swedish television.
Ingmar Bergman and Sven Nykvist shot on Fårö on numerous occasions.. Bergman shot numerous films on Fårö, including Through a Glass Darkly (1961), Persona (1966), Hour of the Wolf (1968), Shame (1968), The Passion of Anna (1969), and The Touch (1971); however, whereas the others use the island for symbolism and have been termed the "island films", Fårö Document is a documentary. [4]
An aging director (named "Bergman") conjures in his imagination the central character, Marianne. He interviews her to compose the story of her life-changing affair. Marianne had been happily married to Markus, an orchestra conductor, with a young daughter Isabelle. Her best friend is David, who is seeking funding for a film project.
Bergman's relationship with his wife Käbi Laretei influenced the film, which is dedicated to her.. After Ingmar Bergman made notes on his ideas for the film in his diary, drawing on his personal experiences in planning to meet and reconcile with his parents Karin and Erik Bergman, [3] Ingmar wrote the screenplay on the island of Torö in the Stockholm archipelago. [4]
The New Yorker recalled it in 1999 as "probably the darkest of Ingmar Bergman’s journeys into his shadowy interior", mentioning the "ferocity" of the scene where Johan murders a boy. [82] In 2000 Kim Newman of Empire Online praised Hour of the Wolf as "one of the most sinisterly beautiful black-and-white horror films you will ever see". [ 7 ]