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Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Recorded blues and country can be found from as far back as the 1920s, when the popular record industry developed and created marketing categories called "race music" and "hillbilly music" to sell music by blacks for blacks and by whites for whites respectively. At the time, there was no clear musical division between "blues" and "country ...
In his autobiography, Handy described how he incorporated elements of black folk music into his musical style. The basic three-chord harmonic structure of blues music and the use of flat third and seventh chords in songs played in the major key all originated in vernacular music created for and by impoverished southern blacks. [21]
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
Gertrude "Ma" Rainey (née Pridgett; April 26, 1886 – December 22, 1939) [1] [2] [3] was an American blues singer and influential early-blues recording artist. [4] Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. [5]
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
Paul Hereford Oliver MBE (25 May 1927 – 15 August 2017) was an English architectural historian and writer on the blues and other forms of African-American music. [1] [2] He was equally distinguished in both fields, although it is likely that aficionados of one of his specialties were not aware of his expertise in the other. [3]