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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.
Japanese may use the word Western tattoo as a loan word meaning any non-Japanese styles of tattooing. [citation needed] British anthropologist Ling Roth in 1900 described four methods of skin marking and suggested they be differentiated under the names "tatu", "moko", "cicatrix" and "keloid". [9]
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16. Lion and Lamb. Often, a lion and lamb tattoo may draw from religious connotations. It can symbolize the juxtaposition of strength and gentleness, unity, or peaceful coexistence.
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
Hibiscus syriacus, the usual plant known by this name in North America. It is a deciduous flowering shrub native to east Asia, and the national flower of South Korea (also known as "Mugunghwa" [13] and "Althaea"). [14] [15] Hibiscus rosa-sinensis (var. 'Vulcan'), the national flower of Malaysia.