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Women in the Philippines (Filipino: Kababaihan sa Pilipinas) may also be known as Filipinas or Filipino women. Their role includes the context of Filipino culture , standards, and mindsets. The Philippines is described [ by whom? ] to be a nation of strong women, who directly and indirectly run the family unit, businesses, and government agencies.
As an empowering figure in Filipino popular culture, she has since transcended comics and has appeared in a variety of media platforms, including film, television, theater, and ballet. Notably, she originally appeared when the Philippines was striving to recover from World War II , and she came to represent the nation's desire to return to the ...
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in ...
Women's universities and colleges in the Philippines (1 C, 5 P) Pages in category "History of women in the Philippines" The following 6 pages are in this category, out of 6 total.
This term has been legally used for some Muslim women monarchs and sultan's consorts. Nevertheless, westerners have used the title to refer to Muslim women monarchs specially in the southern part of the Philippines, which is in the Islamic influence (like Sulu and Maguindanao), sultan's women relatives who don't hold this title officially.
Defensor Santiago was named one of The 100 Most Powerful Women in the World in 1997 by The Australian. [1] She was known for being a long-serving Senator of the Republic of the Philippines, an elected judge of the International Criminal Court, and the sole female recipient of the Philippines' highest national honor, the Quezon Service Cross.
Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 – May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. [2] Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. [3]
Alzona was the first Filipino woman to have obtained a Ph.D. [3] Alzona returned to the Philippines in 1923 and joined the faculty of the Department of History, of the original Manila campus of the University of the Philippines, which was later moved to the University of the Philippines Diliman.