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A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m (M7). For example ...
But this rule not only applies to major or minor chords, but also to seventh chords. For example, in the key in E minor, the tonic chord (E, G, B) becomes an E minor seventh chord (E, G, B, D), if the fourth note (D) is added to the triad. This applies to all other chords in the scale. [1] A mnemonic also exists in the circle of thirds.
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...
The sharpened subdominant diminished triad with minor seventh chord is represented with the Roman numeral notation ♯ iv ø 7; the root of this chord is the raised subdominant (sharpened fourth). That root also serves as the leading tone to the dominant when used in the vii ø 7 /V function described above; such a function is the diminished ...
Since triads are constructed of stacked thirds, they can be alternatively defined as follows: major triads contain a major third with a minor third stacked above it, e.g., in the major triad C–E–G (C major), the interval C–E is major third and E–G is a minor third. minor triads contain a minor third with a major third stacked above it ...
Unlike the dominant triad or dominant seventh, the leading-tone triad functions as a prolongational chord rather than a structural chord since the strong root motion by fifth is absent. [6] On the other hand, in natural minor scales, the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad (D ...
Harmonic minor contains seven types of seventh chords: a minor major seventh chord (i m(maj7)), a half-diminished seventh chord (ii m7(−5)), an augmented major seventh chord (III aug(maj7)), a minor seventh chord (iv m7), a dominant seventh chord (V 7), a major seventh chord (VI maj7), and a diminished seventh chord (vii dim7). Natural minor ...
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