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A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea. It is closely related to the musical concepts of idée fixe or motto-theme . [ 2 ]
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.
The Encyclopédie de la Pléiade defines a motif as a "melodic, rhythmic, or harmonic cell", whereas the 1958 Encyclopédie Fasquelle maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. [5]
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Götterdämmerung (German: [ˈɡœtɐˌdɛməʁʊŋ] ⓘ; Twilight of the Gods), [1] WWV 86D, is the last of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen (English: The Ring of the Nibelung).
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Richard Wagner popularized the concept of a leitmotif: a motif or melody associated with a certain idea, person or place. While in both most popular music and classical music of the common practice period pitch and duration are of primary importance in melodies, the contemporary music of the 20th and 21st centuries pitch and duration have ...