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Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice (c. 1598).In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household.
Shylock's trial at the end of the play is a mockery of justice, with Portia acting as a judge when she has no real right to do so. Shakespeare does not question Shylock's intentions, but that the very people who berated Shylock for being dishonest have resorted to trickery in order to win. Shakespeare gives Shylock one of his most eloquent ...
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
Anthony Heald is an American character actor known for portraying Hannibal Lecter's jailer, Dr. Frederick Chilton, in The Silence of the Lambs (1991) and Red Dragon (2002), and for playing vice principal Scott Guber in David E. Kelley's Boston Public (2000–2004).
He is survived by Scales and their two sons, Samuel, an actor, and Joe, a teacher, as well as Juliet, a daughter from his first marriage. Timothy West, actor, born 20 October 1934, died 12 ...
The main character, Jewish actor Jon Davies, asserts that Shakespeare intended the character of Shylock to be played as a villain in The Merchant of Venice based on the attitudes towards Jews during the era he was writing; thus, past productions either presented Shylock as a clown or tragic victim while maintaining the hostile attitude towards Jews in classical Venice. [4]
The lawyer's clerk is Nerissa in disguise. Portia asks Shylock to show mercy, but Shylock refuses. Thus, the court allows Shylock to extract the pound of flesh. At the moment when Shylock is about to cut Antonio with his knife, Portia points to a flaw in the contract. The bond allows Shylock to remove only the flesh, not the blood, of Antonio.
While his second wife gave his birth year as 1690 on the memorial tablet installed in St. Paul's Church, Covent Garden, making him 107 at his death; others have suggested that he was born in 1699 or 1710. His memorial shows a dagger piercing the eye of a theatrical mask, a contrite reference to his altercation with Thomas Hallam.