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Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
[1] [2] Philippine literature encompasses literary media written in various local languages as well as in Spanish and English. According to journalist Nena Jimenez, the most common and consistent element of Philippine literature is its short and quick yet highly interpersonal sentences, with themes of family, dogmatic love, and persistence. [3]
Aeta (Ayta / ˈ aɪ t ə / EYE-tə), Agta and Dumagat, are collective terms for several indigenous peoples who live in various parts of Luzon islands in the Philippines.They are included in the wider Negrito grouping of the Philippines and the rest of Southeast Asia, with whom they share superficial common physical characteristics such as: dark skin tones; short statures; frizzy to curly hair ...
Tausūg people, Zamboangueño people, Tagalog people, Austronesian people and other Filipinos Visayans ( Visayan : mga Bisaya ; local pronunciation: [bisaˈjaʔ] ) or Visayan people are a Philippine ethnolinguistic family group or metaethnicity native to the Visayas , the southernmost islands of Luzon and a significant portion of Mindanao .
The culture of the Philippines is characterized by cultural and ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
A review of Maria Lumicao-Lorca's 1984 book Gaddang Literature states that "documentation and research on minority languages and literature of the Philippines are meager" [214] That understood, however, there does exist a considerable record of Gaddang interest and participation in Luzon-wide colonial traditions, examples being Pandanggo sa ...
The term itself was adopted from the Spanish, who were dumbfounded by the wide array of mythical races in the Philippines and just referred to many of the races as "enchanted". [7] Though at the same time the term does not differ at all from the archaic Spanish sense of the word as referring to a supernatural apparition, sometimes tied to a place.