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A Nepali woman with a tilaka on her forehead. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1]
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
Venetian ceruse or Venetian white, [2] also known as blanc de céruse de Venise [3] and Spirits of Saturn, [4] was a 16th-century cosmetic used as a skin whitener. It was in great demand and considered the best available at the time, supposedly containing the best quality white lead sourced from Venice , the global merchant capital at the time.
The Yoruba tribal marks are scarifications which are specific identification and beautification marks designed on the face or body of the Yoruba people. The tribal marks are part of the Yoruba culture and are usually inscribed on the body by burning or cutting of the skin during childhood. [ 1 ]
Huadian (traditional Chinese: 花鈿; simplified Chinese: 花钿), also known as huazi (Chinese: 花子; lit. 'Little flower'), [1] mianhua (Chinese: 面花), meizi (Chinese: 媚子), [2] plum blossom makeup [3] or plum makeup [4] (Chinese: 梅花妝; pinyin: méihuāzhuāng or Chinese: 落梅妝; pinyin: luòméizhuāng) or Shouyang makeup [3] (Chinese: 壽陽妝), is a form of traditional ...
There are three horizontal lines of vibhuti (holy ash) on the brow, often with a dot as the third eye. Holy ash, remains from yagya or sacrificial fire-wood is a reminder of the temporary nature of the physical body and the importance of spiritual attainment and closeness to Shiva (Atman-Brahman).
Dual portrait of a black woman and a white woman, identities unknown, circa 1650, by an anonymous hand. The two women, who appear to be of equal standing, are wearing face patches, which were a fashion of the time. The painting is captioned "I black with white bespott y white with blacke this evil proceeds from thy proud hart then take her ...
In contrast to geisha and maiko, kabuki actors apply their oshiroi thickly, creating a bright white face visible from the furthest seats in the audience. A kabuki actor doing a quick change between characters may simply paint over their previous makeup, as oshiroi is opaque enough that previous makeup will not be visible.