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Since computer screen images usually have full white somewhere in the image, the backlight will usually be at full intensity, making this "feature" mostly a marketing gimmick for computer monitors, however for TV screens it drastically increases the perceived contrast ratio and dynamic range, improves the viewing angle dependency and ...
Detail of a TFT display showing whole screen persistence artifacts TFT display showing persistence artifacts Image persistence on a BenQ GW2765HT IPS LCD monitor. Image persistence, or image retention, is a phenomenon in LCD and plasma displays where unwanted visual information is shown which corresponds to a previous state of the display.
Burn-in on a monitor, when severe as in this "please wait" message, is visible even when the monitor is switched off. Screen burn-in, image burn-in, ghost image, or shadow image, is a permanent discoloration of areas on an electronic visual display such as a cathode-ray tube (CRT) in an older computer monitor or television set. It is caused by ...
Monitors have a classic design, most of them have a white, black, or silver-black colored cover. Casing of monitors is thin with big screen and 5 buttons and LED indicator under the screen. 1st button is using for turn on/off monitor and last for Automatic configuration, other buttons are used for OSD menu control.
Monochrome monitors are commonly available in three colors: if the P1 phosphor is used, the screen is green monochrome. If the P3 phosphor is used, the screen is amber monochrome. If the P4 phosphor is used, the screen is white monochrome (known as "page white"); this is the same phosphor as used in early television sets. [2]
Screen-door effects are more noticeable than LCD when up close, or on larger sizes. [58] New models are no longer produced. Colored sub-pixels may age at different rates, leading to a color shift, although some models will scan pixels to even out wear and prevent this shift. [59] Sensitive to UV light from direct sunlight.
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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.