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While it is considered that there are 4 Praharas in the night, in practice with the inclusion of Brahmi Muhoorta into the Day hours, there are 5 praharas during the day and 3 during the night in contemporary life, each of 3 hours, and this seems to be the convention in practice irrespective of what the theories in books say.
Multani belongs to Todi Thaat. It is generally sung in the third prahar of the day, that is, around 1 PM to 4 PM. Re, Ga, Dha komal and Ma tivra. [1] Re and Dha should be weak, and should be included only in Avarohi phrases. Vadi: Pa [1] Samvadi: Sa [1] Arohana Ṇ S G̱ M̄ P N Ṡ. Avarohana Ṡ N Ḏ P M̄ G̱ Ṟ S. Pakad
Thus, the length of the traditional pahar varied from about 2.5 hours to 3.5 hours in the Indo-Gangetic plains. [2] Each pahar of a 24-hour day-night cycle has a specific name and number. [2] The first pahar of the day, known as pehla pahar (Hindustani: pehla, lit. 'first'), corresponds to the early morning and sunrise. [4]
It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day). [4] Use of dhaivat and rishabh is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).G̱ is sung with a kaṇ-svara (grace note) of M. Similarly, Ṉ is sung with a kaṇ-svara from S. Vadi Swar: M [3] [1]
Raga Sohini is associated with very late night / pre-dawn, the last or eighth period of day, roughly from 3-6AM. (3 AM - 6 AM) : 4th Prahar of the Night : Sandhi-Prakash Raag [ 2 ] Film Songs
On the completion day, devotional songs are sung by moving groups, passing along house by house. The moving singers may be offered gifts from the household before returning to the stage. During the concluding ceremony of the function, the priest reads the sacred book of the Astaprahari in rhythm; others follow and repeat.
Both the public and corporate workshops are half-day events, but over the years many people have been doing the workshop on their own, usually taking about three hours to get through the 10 questions. Watching them succeed so well on their own helped me realize this really can be a simple do-it-yourself process.
Malgunji is a mixture of Khamaj, Bageshree, Rageshwari and Jaijaiwanti ragas. Raga Malgunji is similar to Raag Bageshree but it employs Shuddha Gandhar in Aaroh which makes it different from Bageshree.