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Samuel Adelstein described the Lombard mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. [35] The Lombard was tuned C–D–A–E–B–G. [35] The strings were fastened to the bridge like a guitar's. [35]
Kalamazoo is the name for two different lines of instruments produced by Gibson.In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [ 1 ] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, [ 2 ] banjoline and bandoline in France ...
Old traditional mandolins with round backs, for example, are difficult to play in a standing position and are almost never used. Some older mandolins have relatively few frets, limiting the mandolin player's use of high notes. Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops.
The Algerian mandole is a stringed instrument, with an almond shaped body, built in a box like a guitar, but almond shaped like the mandola with a flat back, raised fingerboard, and wide neck (as a guitar's). [2] It can have eight, ten, or twelve strings in doubled courses, and may have additional frets between frets to provide quarter tones.
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On modern instruments X-bracing is sometimes used. As is typical of the mandolin family, octave mandolins can be found with either a single oval soundhole or a pair of "f " soundholes. As with the scale length, the number of frets on an octave mandolin also varies widely, from as few as 17 to as many as 24 frets: 18 or 19 frets is typical.
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