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Đặng Trần Côn (chữ Hán: 鄧陳琨; born Trần Côn; c. 1705–1745) was the author of the Chinh phụ ngâm a masterpiece of chữ Hán literature of Vietnam. [1] ...
Chữ Nôm (𡨸喃, IPA: [t͡ɕɨ˦ˀ˥ nom˧˧]) [5] is a logographic writing system formerly used to write the Vietnamese language.It uses Chinese characters to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represented by new characters created using a variety of methods, including phono-semantic compounds. [6]
As Literary Chinese was the formal written language for government documents, a majority of literary works were composed in Hán văn or as văn ngôn. [1] From the 10th century, a minority of literary works were composed in chữ Nôm, the former writing system for the Vietnamese language.
Wondrous Tales of Lĩnh Nam, a 14th-century collection of stories of Vietnamese history, written in Chinese. Literary Chinese (Vietnamese: Văn ngôn 文言, Cổ văn 古文 or Hán văn 漢文 [1]) was the medium of all formal writing in Vietnam for almost all of the country's history until the early 20th century, when it was replaced by vernacular writing in Vietnamese using the Latin-based ...
Literary adaptation is adapting a literary source (e.g. a novel, short story, poem) to another genre or medium, such as a film, stage play, or video game. It can also involve adapting the same literary work in the same genre or medium just for different purposes, e.g. to work with a smaller cast, in a smaller venue (or on the road), or for a ...
Chu Văn An (born Chu An, 25 August 1292 – c. 1370) was a Confucian, teacher, physician, and high-ranking mandarin of the Trần dynasty in Đại Việt. [1] His courtesy name was Linh Triệt (靈徹), while his art name was Tiều Ẩn (樵隱). He was later given the posthumous name Văn Trinh.
Trương Vĩnh Ký (chữ Hán: 張永記; 6 December 1837 – 1 September 1898), known as Pétrus Ký and Jean-Baptiste Pétrus, was a Vietnamese scholar whose publications helped improve understanding between colonial Vietnam and Europe.
The Tự Lực văn đoàn was an influential literary collective founded in 1932-1933 by Nhất Linh and Khái Hưng.They were one of the most significant political and literary movements in twentieth-century Vietnam and published significantly via their two journals, Phong Hóa (Mores, 1932–1936) and Ngày Nay (Today, 1936–1940, 1945) as well as their own publishing house (Đời Nay).