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Christ in the winepress appears in the 14th century poetry of English Benedictine John Lydgate, [28] and the metaphor is used by two important English 17th-century poets. One of the best known poems of the Anglican Vicar George Herbert is The Agonie , included in The Temple (1633), where the second stanza (of three) is an extended conceit on ...
English: Treading the Winepress (alluding to both Isaiah 63 and Revelation 14), from a series of frescoes illustrating the Apocalypse, at Sucevița, Romania. See details in Ilie Melniciuc, "Saint John's Revelation in the Painting from Sucevița Monastery", European Journal of Science and Theology, Vol.10, Issue 1, 2014, pp. 279, 282.
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The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
The figure of Christ has a spiral composition and the figures surrounding him are portrayed in contraposition, emphasising their movement. The space is deepened by diagonally depicted architectural elements and by the contrasts of illuminated and shaded areas. The scene is loosely inspired by a print by the Master E. S.
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
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Can we imagine ourselves back on that awful day in the summer of 2010, in the hot firefight that went on for nine hours? Men frenzied with exhaustion and reckless exuberance, eyes and throats burning from dust and smoke, in a battle that erupted after Taliban insurgents castrated a young boy in the village, knowing his family would summon nearby Marines for help and the Marines would come ...