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Manufacturers of DLP-based cinema projectors can now also offer 4K upgrades to some of the more recent 2K models. [38] Early DLP Cinema projectors, which were deployed primarily in the United States, used limited 1280×1024 resolution or the equivalent of 1.3 MP (megapixels). Digital Projection Incorporated (DPI) designed and sold a few DLP ...
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation [ 1 ] for packaging DC contents.
Digital Cinema Initiatives, LLC (DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer , [ a ] Paramount Pictures , Sony Pictures , 20th Century Studios , [ b ] Universal Studios ...
RealD 3D cinema technology is a polarized 3D system that uses circularly polarized light to produce stereoscopic image projection. The advantage of circular polarization over linear polarization is that viewers are able to tilt their head and look about the theater naturally without seeing double or darkened images. [3]
The system is capable of delivering up to 48 cd/m 2 on unity-gain matte-white screens for 3D (and up to 106 cd/m 2 for 2D), a substantial improvement on current generation 3D systems which deliver in the range of 10 to 14 cd/m 2 for 3D. The result is improved brightness, colour, and contrast compared to traditional xenon projectors.
In May 2012, Qube introduced server software capable of synchronizing multiple IMBs, making 4K 3D projection possible for theatre owners. [16] In August 2013, Qube partnered with D3D Cinema to install its single-server True 4K 3D system at the newly renovated Air Force Museum Theater at the National Museum of the United States Air Force. [17]
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