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Venetian glass (Italian: vetro veneziano) is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a soda–lime ...
The Venetians were still the main glass and mirror-makers in Italy and produced amongst the best in the world. [2] Venetian mirrors changed little during the Neoclassical period, and still had several cartouches and were often gilded. However, the shape of their girandole changed from being round to oblong.
The Venetian ability to produce this superior form of glass resulted in a trade advantage over other glass producing lands. Murano ’s reputation as a center for glassmaking was born when the Venetian Republic, fearing fire might burn down the city’s mostly wood buildings, ordered glassmakers to move their foundries to Murano in 1291.
Apsley Pellatt in his book Curiosities of Glass Making was the first to use the term "millefiori", which appeared in the Oxford English Dictionary in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. [2] [3]
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
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