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Kashmiri papier-mâché is a handicraft of Kashmir that was brought by Muslim saint Mir Sayyid Ali Hamadani from Persia in the 14th century to medieval India. It is based primarily on paper pulp, and is a richly decorated, colourful artifact; generally in the form of vases, bowls, or cups (with and without metal rims), boxes, trays, bases of ...
Shib ad-Din became a follower of Mir Syed Hasan Semnani and so Hamadani was welcomed in Kashmir by the king and his heir apparent Qutbu'd-Din Shah. At that time, the Kashmiri ruler, Qutub ad-Din Shah was at war with Firuz Shah Tughlaq, the Sultan of Delhi, but Hamdani brokered a peace. Hamdani stayed in Kashmir for six months.
Khanqah-e-Moula (Kashmiri: خانٛقاهِ معلىٰ), also known as Shah-e-Hamadan Masjid and Khanqah, is a mosque located in the Old City of Srinagar in Jammu and Kashmir, India.
Kashmiri artisan carving walnut wood. Kashmiri handicrafts is a traditional art of Kashmiri people and artisans who make, craft, and decorate objects by hand. Ganderbal, and Budgam are the main districts in central Kashmir which have been making handicrafts products since ages.
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The Spanish city of Valencia's five day festival known as Las Fallas ended at midnight on Sunday, March 19th with a ceremony in which nearly 380 papier mache sculptures were set alight.
Shi'ism was properly introduced by Mir Shams-ud Din Iraqi [2] whose spiritual inspiration Syed Muhammad Noor Bakhsh belonged to the Sufi order of Mir Syed Ali Hamdani and had huge following base in Iran, Qandhar, Kabul and Kashmir. Mir Shams-ud Din arrived in Kashmir in 1481 CE and then returned to Iran.
Mir Syed Hussain Simnani was an Indian Sufi saint from the 8th century Hijri, known for his role in the spread of Islam in the Kashmir Valley. He hailed from Simnan in Iran and is celebrated for his philanthropic mission and spiritual teachings in South Kashmir's Kulgam district . [ 1 ]