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Pages in category "Lingala-language musical groups from the Democratic Republic of the Congo" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes .
People from the Congo have no single term for their own music per se, although muziki na biso ("our music") was used until the late 1970s, and now the most common name is ndule, which simply means music in the Lingala language; most songs from the Democratic Republic of the Congo are sung in Lingala.
This view is further supported by Ivorian music journalist Diarra Tiemoko of Soir Info, who notes the early use of pseudo-Lingala language in coupé-décalé songs during the genre's evolution. [ 184 ] [ 195 ] Tiemoko also highlights the influence of Congolese artists such as DJ Shega Mokonzi and Ronaldo R9 on Ivorian DJs, particularly in the ...
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
Lingala-language musical groups from the Democratic Republic of the Congo (6 P)
It was pretty extraordinary, this spontaneous, natural music." [10] The choice of language in Indépendance Cha Cha, Lingala, supplemented by French loanwords, meant that the song also became a hit in the neighbouring French Congo where the language was also widely spoken. [5] It was widely broadcast across Africa by Radio Congo Belge.
Upon his return, he recorded several songs in memory of his late brother. He then began to rebuild the band. This coincided with the restructuring of Congo by President Mobutu Sese Seko under the program of "L'Authenticite". The name of the country was changed from Congo-Kinshasa to Zaire. Franco adopted the names "L'Okanga La Ndju Pene Luambo ...
In Congolese popular music, the term libanga (Lingala; from kobwaka libanga, lit. ' to throw a stone/pebble ', referring to how a child might try to attract attention [1]) refers to a common form of patronage whereby musicians name or praise wealthy or powerful sponsors publicly as part of their performances.
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