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Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
Philippine folk instruments (3 C, 5 P) Pages in category "Philippine musical instruments" The following 36 pages are in this category, out of 36 total.
A rhythmic mode (or designation or genre or pattern) is defined as a musical unit that binds together the entire five instrument ensemble. [42] By adding together the various rhythms of each instrument, one could create music and by changing one of the rhythms, one could create different music. [15] This is the basis of the rhythmic mode.
Only the main article names are listed in these cases. For example, apito is listed but samba whistle is merely noted as an alternate name. A distinct instrument or type represented only by a redirect to an article section should however be shown. Instruments represented only by redlinks have no Wikipedia articles as yet but are shown.
Agung Percussion instrument Classification Idiophone Hornbostel–Sachs classification 111.241.2 (Sets of gongs) Developed Indonesia The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan ...
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An assortment of musical instruments in an Istanbul music store. This is a list of musical instruments , including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones)
The main use for the dabakan in Maguindanao and Maranao society is as a supportive instrument in the kulintang ensemble, [5] keeping the tempo of the ensemble in check [8] like the babendil. On most rhythmic modes, such as sinulog and duyog, the dabakan enters after babandil but in tidto, where the babendil is absent, the dabakan always starts ...