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Other all-island teams have adopted "Ireland's Call" for similar reasons to the IRFU's. The men's and women's hockey teams, having previously used the "Londonderry Air", adopted "Ireland's Call" in 2000, [5] including for Olympic qualification matches, [26] but the Olympic Council of Ireland standard "Amhrán na bhFiann" was used at Rio 2016, its first post-independence appearance at the ...
"Róisín Dubh" (Irish: [ˈɾˠoːʃiːnʲ ˈd̪ˠʊw]; "Dark Rosaleen" or "Little Dark Rose") is one of Ireland's most famous political songs. It is based on an older love-lyric which referred to the poet's beloved rather than, as here, being a metaphor for Ireland.
The lyrics vary, depending on the provenance of the song, but all songs detail the singer observing the titular "Spanish Lady" as she goes through various activities. There are several Dublin versions, one of them usually called the Wheel of Fortune. Other Irish versions relate to Galway (called Galway City) and Belfast.
Folderol, a nonsense refrain in songs, is used in genres as diverse as Christmas songs ("Deck the Halls") and naval songs like "Don't Forget Your Old Shipmate". The European pop genre yé-yé was named after the frequent use of English-derived "Yeah!" as filler. Spanish yeyé signer Massiel won the 1968 Eurovision Song Contest with La, la, la.
That song is a variation of a Spanish song about the Spanish Civil War, "¡Ay Carmela!." The title of Moore's song was inspired by the phrase "Viva la Quince Brigada" in "¡Ay Carmela!" [citation needed] Moore's song was inspired by Spanish Civil War veteran Michael O'Riordan's 1979 book Connolly Column.
This Irish ballad gets spirited update in this 2009 version recorded by the High Kings. The traditional tune is about a young man who becomes infatuated with a fair colleen named Rosie, otherwise ...
The song traces back from at least 1869, in The Wearing Of The Green Songbook, where it was sung with the melody of the music "The Wearing of the Green", and not with the more melancholic melody we know today. [2] Another early publication of the song was in a 19th-century publication, The Irish Singer's Own Book (Noonan, Boston, 1880). [3]
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.