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Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The film is an adaptation of the 1916 zarzuela Goyescas by Enrique Granados, and also drew inspiration from the work of the artist Francisco Goya. The film was part of the popular trend for operetta films in Europe during the era. Perojo had been planning the production for around a decade before it was ultimately made. [1]
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
I Was an American Spy: Claire Phillips: Ann Dvorak: I'll See You in My Dreams: Gus Kahn: Danny Thomas: Jim Thorpe – All-American: Jim Thorpe: Burt Lancaster: The Lady and the Bandit: Dick Turpin: Louis Hayward: The Lady with the Lamp: Florence Nightingale: Anna Neagle: The Magic Box: William Friese-Greene: Robert Donat: The Man with a Cloak ...
It is signed "Goya in 1795" in the lower right corner. It is in the collection of the Museo del Prado , Madrid, having been acquired from a private collection. Goya portrayed María Cayetana de Silva a number of other times, notably The White Duchess of the same year and the 1797 Portrait of the Duchess of Alba .
The work on the painting lasted about a year and was preceded by the creation of numerous preparatory sketches, which allow for a better understanding of Goya's creative process. [ 4 ] [ 18 ] In the collections of the Prado Museum, there is an Italian sketchbook of the painter, called Cuaderno italiano [ pl ] , containing numerous drawings and ...
The series was intended by Goya as a commercial venture but this was unsuccessful, partly because of Goya's expressive use of the form was radically different from the tidy appearance of most lithographs of the time. [2] A sense of Goya's working methods can be gained from Goya's companion and assistant in Bordeaux Antonio Brugada
Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823). His paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition , which had been active in Witch hunting during the seventeenth ...