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Krishna and Radha, attributed to Nihal Chand, a master of the Kishangarh miniature school trained at the imperial court in Delhi. [1]Apart from the architecture of Rajasthan, the most notable forms of the visual art of Rajasthan are architectural sculpture on Hindu and Jain temples in the medieval era, in painting illustrations to religious texts, beginning in the late medieval period, and ...
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
Sahibdin (fl. 17th century) was an Indian miniature painter of the Mewar school of Rajasthan painting. He was one of the dominant painters of the era, and one of the few whose name is still known today (another being the painter Manohar Das ).
Ragamala paintings are a form of Indian miniature painting, a set of illustrative paintings of the Ragamala or "Garland of Ragas", depicting variations of the Indian musical modes called ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India.
Sawai Jai Singh had a large collection of Mughal, Deccani and Rajasthani paintings and some Jaipur paintings of this period seems linked to art of Muhammad Shah era. Still, more usual are the many ragamala sets of the mid-century that convert the pavilion in the terrace scene and flatten the architecture (see illustration of Ragini Madhumadhavi ...
The Nathdwara school is a subset of the Mewar school of painting and is seen as an important school in the 17th and 18th century miniature paintings.The sub-styles of Mewar painting include Udaigarh, Devgarh and Nathdwara as important centers of miniature painting art.
Raja Rai Singh was particularly influenced by Mughal art. They painted scenes from the Ragmala, Bhagavata Purana, and Rasalila. What distinguishes the Bikaner style of painting [3] from other Rajasthani styles of painting are finer lines and a more reserved range of colours than what are typically present in Mughal artwork.
Bani Thani, Kishangarh miniature from c. 1750, at the National Museum, New Delhi. Bani Thani was a singer and poet in Kishangarh in the time of Raja Sawant Singh (1748–1764), whose mistress she became.
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