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Musically, the work is notable for the parallel descending thirds and sixths that shift from part to part. Some renditions of this hymn (for example, the practice of Sacred Harp singer) follow a practice recommended by Billings, [1] with some male singers on the treble, singing an octave down, and some female singers on the tenor part, singing an octave higher.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War .
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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
The song was first published in William Eleazar Barton's 1899 Old Plantation Hymns [1] but was described in writings prior to this publication. [2] [3] [4] In 1940, it was included in the Episcopal Church hymnal, making it the first spiritual to be included in any major American hymnal.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Lucie Eddie Campbell, the youngest of eleven children, was born to Burrell and Isabella (Wilkerson) Campbell in Duck Hill, Mississippi, US on April 30, 1885. [1] Her father worked for the Mississippi Central Railroad (later purchased by the Illinois Central Railroad), and she was born in the caboose of a train. [1]